Wimo Ambala Bayang (b. 1976) is a multidisciplinary artist and curator based in Yogyakarta, Indonesia. He studied photography at the Indonesian Institute of the Arts (ISI Yogyakarta) and works across photography, video, objects, and painting. His practice explores how everyday habits—often perceived as natural or fixed—can be reexamined through subtle shifts in perception. Drawing from both minor and major histories, Wimo constructs images that blend visual reality with elements of fiction, revealing overlooked perspectives within contemporary life.In 2002, he co-founded Ruang MES 56, an influential artist collective dedicated to the development of photography and contemporary art through interdisciplinary and critical approaches. His work often reflects on the layered conditions of Indonesian society, navigating between documentation and constructed imagery. Wimo has participated in numerous international residencies and exchanges, including in China, Australia, the Netherlands, Denmark, Romania, and South Korea. As a curator, he has organized and contributed to projects such as Indonesian Today (Tokyo Photography Month), Collaborate! A Year of Visual Encounters (FOAM, Amsterdam), and Greetings from Indonesia (Jimei x Arles). In 2021, he received Best Indonesian Feature Documentary at Festival Film Dokumenter for The Enigma of HeDonism, a film about artist Heri Dono.